Interpretation Of The Relationship Between Designer And Clothing Style

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"The word comes from the Romans who engraved on a wax plate with needles or pens. The original meaning is related to the distinctive way of writing. After that, its meaning has been greatly expanded and used in various fields.

It refers to the representational characteristics presented on the whole of art works. It is a unique style which is difficult to explain but not difficult to feel because of the unity of unique content and form, the unity of creativity and subject objectivity of artists.

In ancient times, the so-called "eight body", "one is elegant, two is far Austrian, three is refined, four is explicit, five is red tape, the other is magnificent, seven is novelty, eight is light," which is a general statement of the language and artistic style that researchers have studied.

style

It refers to the value orientation, internal character and artistic characteristics of the clothing of an era, a nation, a genre or a person in form and content.

Schopenhauer said, "style is the outward appearance of the mind".

In the final analysis, the realm of costume design is the positioning and design of the style. The clothing style shows the designer's unique creative ideas, artistic pursuit, and also reflects the distinctive characteristics of the times.

A mature style of clothing should be unique. Jansen said: "speaking of style means doing an activity in a different way in human behavior."

"Style is a commendatory word. When a business has a style, it means that it has characteristics and stands out.

Conversely, if a business has no style, it means that it is not only uncharacteristic, but also unrecognizable, because it is neither a horse nor a horse.

Clothing in the Qing Dynasty and clothing in the Ming Dynasty could be clearly distinguished at one glance.

The costume of Qing Dynasty has the characteristics of nomadic people, and is full of natural charm, which is totally different from that of Ming Dynasty.

Similarly, Chinese clothing and Japanese clothing, Han costume and ethnic costume, Zhang Zhaoda's clothing and Pierre Cardan's clothing can be distinguished from each other, indicating that they have their own characteristics.

Without uniqueness, there is no one.

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Style is a means of classification. People usually rely on style to judge the category and source of art works.

There are countless styles of clothing. The representative styles of clothing include seven styles: the style of Turkey, the Spanish style, the style of the times, such as the style of the middle ages, the style of Edward, the style of representing the cultural features: the hippie style, the Ivy League style; the style of clothes already named after: the style of Mrs. Ponbadu, the Chanel style; the representative style of dress style: Kerrey's knoline style, baser style; the clothing style that embodies the temperament, style and status: Knight's style and dandy style; the style of clothing representing the artistic genre, such as the illusory Art style and the deconstruction style. In the long historical process of development,

Stability and consistency are

The conditions for style to be recognized.

A designer came out for several years, published several works, announced that he had a certain personal style, and the media also tended to add fuel to the fire.

However, if this personal style is not stable, it will become carbonized.

Cardan attaches great importance to the shaping of his personal style. His clothing works are bold in color, clear in lines, and abstract in style, with architectural style.

For decades, his clothing style has a super stability, it is easy to identify, and is liked by people for a long time.

From another point of view, designers' personal creative style may not last as long as the style of the times or the national style, but only for a few decades. But in the decades of life, some designers have created a truly valuable personal style, with a constant force. They have a place in the history of style, and may even form a genre, which has been affected for quite a long time.

For example, it is very easy for people to connect Xia Surili to surrealism. Vivian Westwood is known as the mother of punk, and Galliano deducts the post-modern art style vividly.

Every time the styles of clothing emerge, there is a distinct brand of the times. Jansen said, "though one is

My handwriting may have its own uniqueness, but he always has some common characteristics with other artists of the same age, thus forming a collective style that is different from another historical period.

The development history of clothing shows that artists with different creative personalities can hardly pcend the influence of the times they live in. Their aesthetic judgment is derived from the dominant aesthetic needs and aesthetic thoughts produced by the material conditions of their society in most cases. The works of designers of each era, such as the elegance of "Wu and Feng Feng", and the elegance of "Cao Yi Shui" are all deeply branded in that era.